Unleash Your Creative Side with These 5 Simple yet Amazing Tattoo Music Designs

Simple Tattoo Designs Music

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. By tapping into your intuitive side, and through 5 simple exercises, you will tap into your creativity, stretch your comfort zone and become more comfortable with drawing from your imagination.

If drawing is something you've always wanted to, then this is the class for you. If you already have experience drawing but want to push yourself out of your comfort zone or find new ways to get over creative blocks, this class is also for you!

Tips To Unleash Your Creativity

In this class, you will learn several techniques to overcome fear and unleash your creativity - so that you fully experience the fun and freedom that comes with drawing from imagination. 

Take classes on the go with the app. Stream or download to watch on the plane, the subway, or wherever you learn best.

17, 328 1h 46m Fearless Art Challenge: a 14-Day Drawing Challenge to Unlock Your Creative Self Marie-Noëlle Wurm 5, 408 40m Secrets, Tips & Tricks to Finding Your Voice as an Artist Marie-Noëlle Wurm 2, 554 58m A Fun Game to Spark Creativity: Play, Break Rules, Make Art Marie-Noëlle Wurm 6, 006 34m Marks & Moods: Brush Pen Adventures with Lines and Textures Marie-Noëlle Wurm

Unique Website Ideas For Your Next Side Project In 2023

1. Unleash Your Creativity & Draw Without Fear - Introduction : Hi, my name is Marie-Noelle Wurm and I'm an artist and illustrator. What I'd like to focus on in this class is to teach you techniques to draw without fear. Let's say you want to draw. You get all your tools together, you have your piece of paper in front of you, and then suddenly these little thoughts pop into your mind. I don't know how to draw, I've got two left hands, I'm not talented. I'd like to draw but I have no idea what I'm going to draw. Those are some of the thoughts that can pop up. Let's say you get over that first hurdle and you've done something, you have your finished drawing in front of you, then some other thoughts might pop up, like, I knew that I wasn't good at drawing or this drawing really sucks. Why don't I take this little piece of paper and put it in the trash can before anybody ever sees it because it's embarrassing how bad it is. I've definitely had these thoughts pop-up into my mind especially when I was starting out. All these thoughts though are rooted in fear. Through five simple exercises, I want us to work on overcoming these inner hurdles and reconnecting with the creativity that's inside you. Because it's there, you just need to find the right amount of sunlight and water to feed it like these guys. The reason that I find this super important is because these are hurdles that I've had to overcome. You see pictures and you're like, Wow, I wish I could do that. Or you just want to be able to have fun, but then you have all these thoughts that come up that destroy the fun that's inherent in drawing. I really feel like this is something that we can work on. Think about it. When you learn how to read, what if you heard somebody be like, Reading, I'm just not talented enough. I'm just, other people are way better at it than I am, so I'm just not going to do that. Won't that seem weird? That tells you how we perceive things in a different way and we see drawing as something that is connected to an innate ability whereas reading we see it as a skill. Well, drawing is also a skill. Even some other things that I want us to work on. I'm really looking forward to seeing all your projects and thank you for joining my class. 2. Key Concept for this class: Artistic experiments: The key concept that I'd like you to keep in mind for all of the exercises that we're going to be doing together, is that they are all artistic experiments. This is super important because it alleviates the pressure of creating a successful drawing. An experiment is always successful, even if it fails. Why? Because it gives you information, and that information is key to learning to deal with fear. The other reason why a failed experiment is a success, is because it's the mark of a successful attempt and if you're trying something, if you're working on it, then that's already a huge success, especially if you've had a lot of fear that has stopped you from being in the moment and actually doing the thing that you want to be doing. 3. Tools for the Class: Hey, I'm really glad to see you that you've joined the class and I can't wait to get started. The first thing that we need to talk about is tools, because if we're going to draw, we need some stuff to draw with. The first thing that I had ask you to try to find, if you have in your home a blank sketch book somewhere, just something that has pages that are tied together, and then I think that would be super fun, because we'll be able to look back on it once we've finished all the exercises. What I have here is a sketchbook. It's all blank. I just got it, so I'm really excited. I would say A4 size is super fun, but if that really terrifies you, then you can go for like an A5 size, so half of this, but I do like this size because you get a lot of room to play with. The most important thing is getting something that doesn't make you so terrified to use it, that you won't actually use it. The most important thing for me is that you find something that gives you space, and the freedom to create stuff. So whatever it is that you find, that will work. Also, in terms of tools, I have a bunch of tools, obviously because this is what I do on a daily basis, but you can use whatever it is that you have at your house. If you want to go buy stuff in addition to what you already have, that's fine as well. Here are some of the things I have. I have these pigment liner pens of different sizes, so from 0.8 to 0.05. So then I get a good range. I have some water color, and I also have a ton of pencils, different kinds of pens, but literally can also even be ballpoint pens. Whatever tickles your fancy, and can be a fun thing to work with. So yeah, in terms of pencils, I have a tendency to like the really dark ones like 4B, 5B, but I also often use some normal HB or some lighter ones. It also gives you a good range. I also have like nib, which is super fun. I don't know, I guess we used to call it quill, but there's no feather on it. This can be something super fun if you have ink lying around. I don't have any with me so I probably won't be using it in these videos, but basically anything goes. Charcoal is also super fun like chalk pencils, those are amazing. Well, I like them. For our first exercise, I'm going to ask you to take your sketchbook, or whatever book it is that you found, open it. I'd like you to leave the first two pages blank, because we're going to come back to that. Well, actually the first page, whatever, it's fine. I leave two you, but you can leave one, and then we're going to start this exercise on this page. Why don't I show you what we're going to do. 4. Experiment 1: Your Tools, Your Curiosity, an Abstract Drawing : For this first drawing, I'd like you to take the sketch book that you have, the different tools that you find, and I want us to experiment with all the different tools that you have at your disposal. Literally, I want you to explore what each tool has to offer. How is the texture of the pencil different from the texture of this pen, or different from the texture of that other pen that you have. What about these markers? How did the colors feel when I'm using those? How does it feel when I'm using colored pencils? There are probably some tools that you will find more fun to work with than others, that's interesting information. There's some tools that you won't like it all. Why is that? While you're exploring how these different tools react, how you react to the tools, I want us to create a drawing and it will be abstract which means that it doesn't have to look like anything. But I want you to use your curiosity and use

In this class, you will learn several techniques to overcome fear and unleash your creativity - so that you fully experience the fun and freedom that comes with drawing from imagination. 

Take classes on the go with the app. Stream or download to watch on the plane, the subway, or wherever you learn best.

17, 328 1h 46m Fearless Art Challenge: a 14-Day Drawing Challenge to Unlock Your Creative Self Marie-Noëlle Wurm 5, 408 40m Secrets, Tips & Tricks to Finding Your Voice as an Artist Marie-Noëlle Wurm 2, 554 58m A Fun Game to Spark Creativity: Play, Break Rules, Make Art Marie-Noëlle Wurm 6, 006 34m Marks & Moods: Brush Pen Adventures with Lines and Textures Marie-Noëlle Wurm

Unique Website Ideas For Your Next Side Project In 2023

1. Unleash Your Creativity & Draw Without Fear - Introduction : Hi, my name is Marie-Noelle Wurm and I'm an artist and illustrator. What I'd like to focus on in this class is to teach you techniques to draw without fear. Let's say you want to draw. You get all your tools together, you have your piece of paper in front of you, and then suddenly these little thoughts pop into your mind. I don't know how to draw, I've got two left hands, I'm not talented. I'd like to draw but I have no idea what I'm going to draw. Those are some of the thoughts that can pop up. Let's say you get over that first hurdle and you've done something, you have your finished drawing in front of you, then some other thoughts might pop up, like, I knew that I wasn't good at drawing or this drawing really sucks. Why don't I take this little piece of paper and put it in the trash can before anybody ever sees it because it's embarrassing how bad it is. I've definitely had these thoughts pop-up into my mind especially when I was starting out. All these thoughts though are rooted in fear. Through five simple exercises, I want us to work on overcoming these inner hurdles and reconnecting with the creativity that's inside you. Because it's there, you just need to find the right amount of sunlight and water to feed it like these guys. The reason that I find this super important is because these are hurdles that I've had to overcome. You see pictures and you're like, Wow, I wish I could do that. Or you just want to be able to have fun, but then you have all these thoughts that come up that destroy the fun that's inherent in drawing. I really feel like this is something that we can work on. Think about it. When you learn how to read, what if you heard somebody be like, Reading, I'm just not talented enough. I'm just, other people are way better at it than I am, so I'm just not going to do that. Won't that seem weird? That tells you how we perceive things in a different way and we see drawing as something that is connected to an innate ability whereas reading we see it as a skill. Well, drawing is also a skill. Even some other things that I want us to work on. I'm really looking forward to seeing all your projects and thank you for joining my class. 2. Key Concept for this class: Artistic experiments: The key concept that I'd like you to keep in mind for all of the exercises that we're going to be doing together, is that they are all artistic experiments. This is super important because it alleviates the pressure of creating a successful drawing. An experiment is always successful, even if it fails. Why? Because it gives you information, and that information is key to learning to deal with fear. The other reason why a failed experiment is a success, is because it's the mark of a successful attempt and if you're trying something, if you're working on it, then that's already a huge success, especially if you've had a lot of fear that has stopped you from being in the moment and actually doing the thing that you want to be doing. 3. Tools for the Class: Hey, I'm really glad to see you that you've joined the class and I can't wait to get started. The first thing that we need to talk about is tools, because if we're going to draw, we need some stuff to draw with. The first thing that I had ask you to try to find, if you have in your home a blank sketch book somewhere, just something that has pages that are tied together, and then I think that would be super fun, because we'll be able to look back on it once we've finished all the exercises. What I have here is a sketchbook. It's all blank. I just got it, so I'm really excited. I would say A4 size is super fun, but if that really terrifies you, then you can go for like an A5 size, so half of this, but I do like this size because you get a lot of room to play with. The most important thing is getting something that doesn't make you so terrified to use it, that you won't actually use it. The most important thing for me is that you find something that gives you space, and the freedom to create stuff. So whatever it is that you find, that will work. Also, in terms of tools, I have a bunch of tools, obviously because this is what I do on a daily basis, but you can use whatever it is that you have at your house. If you want to go buy stuff in addition to what you already have, that's fine as well. Here are some of the things I have. I have these pigment liner pens of different sizes, so from 0.8 to 0.05. So then I get a good range. I have some water color, and I also have a ton of pencils, different kinds of pens, but literally can also even be ballpoint pens. Whatever tickles your fancy, and can be a fun thing to work with. So yeah, in terms of pencils, I have a tendency to like the really dark ones like 4B, 5B, but I also often use some normal HB or some lighter ones. It also gives you a good range. I also have like nib, which is super fun. I don't know, I guess we used to call it quill, but there's no feather on it. This can be something super fun if you have ink lying around. I don't have any with me so I probably won't be using it in these videos, but basically anything goes. Charcoal is also super fun like chalk pencils, those are amazing. Well, I like them. For our first exercise, I'm going to ask you to take your sketchbook, or whatever book it is that you found, open it. I'd like you to leave the first two pages blank, because we're going to come back to that. Well, actually the first page, whatever, it's fine. I leave two you, but you can leave one, and then we're going to start this exercise on this page. Why don't I show you what we're going to do. 4. Experiment 1: Your Tools, Your Curiosity, an Abstract Drawing : For this first drawing, I'd like you to take the sketch book that you have, the different tools that you find, and I want us to experiment with all the different tools that you have at your disposal. Literally, I want you to explore what each tool has to offer. How is the texture of the pencil different from the texture of this pen, or different from the texture of that other pen that you have. What about these markers? How did the colors feel when I'm using those? How does it feel when I'm using colored pencils? There are probably some tools that you will find more fun to work with than others, that's interesting information. There's some tools that you won't like it all. Why is that? While you're exploring how these different tools react, how you react to the tools, I want us to create a drawing and it will be abstract which means that it doesn't have to look like anything. But I want you to use your curiosity and use

In this class, you will learn several techniques to overcome fear and unleash your creativity - so that you fully experience the fun and freedom that comes with drawing from imagination. 

Take classes on the go with the app. Stream or download to watch on the plane, the subway, or wherever you learn best.

17, 328 1h 46m Fearless Art Challenge: a 14-Day Drawing Challenge to Unlock Your Creative Self Marie-Noëlle Wurm 5, 408 40m Secrets, Tips & Tricks to Finding Your Voice as an Artist Marie-Noëlle Wurm 2, 554 58m A Fun Game to Spark Creativity: Play, Break Rules, Make Art Marie-Noëlle Wurm 6, 006 34m Marks & Moods: Brush Pen Adventures with Lines and Textures Marie-Noëlle Wurm

Unique Website Ideas For Your Next Side Project In 2023

1. Unleash Your Creativity & Draw Without Fear - Introduction : Hi, my name is Marie-Noelle Wurm and I'm an artist and illustrator. What I'd like to focus on in this class is to teach you techniques to draw without fear. Let's say you want to draw. You get all your tools together, you have your piece of paper in front of you, and then suddenly these little thoughts pop into your mind. I don't know how to draw, I've got two left hands, I'm not talented. I'd like to draw but I have no idea what I'm going to draw. Those are some of the thoughts that can pop up. Let's say you get over that first hurdle and you've done something, you have your finished drawing in front of you, then some other thoughts might pop up, like, I knew that I wasn't good at drawing or this drawing really sucks. Why don't I take this little piece of paper and put it in the trash can before anybody ever sees it because it's embarrassing how bad it is. I've definitely had these thoughts pop-up into my mind especially when I was starting out. All these thoughts though are rooted in fear. Through five simple exercises, I want us to work on overcoming these inner hurdles and reconnecting with the creativity that's inside you. Because it's there, you just need to find the right amount of sunlight and water to feed it like these guys. The reason that I find this super important is because these are hurdles that I've had to overcome. You see pictures and you're like, Wow, I wish I could do that. Or you just want to be able to have fun, but then you have all these thoughts that come up that destroy the fun that's inherent in drawing. I really feel like this is something that we can work on. Think about it. When you learn how to read, what if you heard somebody be like, Reading, I'm just not talented enough. I'm just, other people are way better at it than I am, so I'm just not going to do that. Won't that seem weird? That tells you how we perceive things in a different way and we see drawing as something that is connected to an innate ability whereas reading we see it as a skill. Well, drawing is also a skill. Even some other things that I want us to work on. I'm really looking forward to seeing all your projects and thank you for joining my class. 2. Key Concept for this class: Artistic experiments: The key concept that I'd like you to keep in mind for all of the exercises that we're going to be doing together, is that they are all artistic experiments. This is super important because it alleviates the pressure of creating a successful drawing. An experiment is always successful, even if it fails. Why? Because it gives you information, and that information is key to learning to deal with fear. The other reason why a failed experiment is a success, is because it's the mark of a successful attempt and if you're trying something, if you're working on it, then that's already a huge success, especially if you've had a lot of fear that has stopped you from being in the moment and actually doing the thing that you want to be doing. 3. Tools for the Class: Hey, I'm really glad to see you that you've joined the class and I can't wait to get started. The first thing that we need to talk about is tools, because if we're going to draw, we need some stuff to draw with. The first thing that I had ask you to try to find, if you have in your home a blank sketch book somewhere, just something that has pages that are tied together, and then I think that would be super fun, because we'll be able to look back on it once we've finished all the exercises. What I have here is a sketchbook. It's all blank. I just got it, so I'm really excited. I would say A4 size is super fun, but if that really terrifies you, then you can go for like an A5 size, so half of this, but I do like this size because you get a lot of room to play with. The most important thing is getting something that doesn't make you so terrified to use it, that you won't actually use it. The most important thing for me is that you find something that gives you space, and the freedom to create stuff. So whatever it is that you find, that will work. Also, in terms of tools, I have a bunch of tools, obviously because this is what I do on a daily basis, but you can use whatever it is that you have at your house. If you want to go buy stuff in addition to what you already have, that's fine as well. Here are some of the things I have. I have these pigment liner pens of different sizes, so from 0.8 to 0.05. So then I get a good range. I have some water color, and I also have a ton of pencils, different kinds of pens, but literally can also even be ballpoint pens. Whatever tickles your fancy, and can be a fun thing to work with. So yeah, in terms of pencils, I have a tendency to like the really dark ones like 4B, 5B, but I also often use some normal HB or some lighter ones. It also gives you a good range. I also have like nib, which is super fun. I don't know, I guess we used to call it quill, but there's no feather on it. This can be something super fun if you have ink lying around. I don't have any with me so I probably won't be using it in these videos, but basically anything goes. Charcoal is also super fun like chalk pencils, those are amazing. Well, I like them. For our first exercise, I'm going to ask you to take your sketchbook, or whatever book it is that you found, open it. I'd like you to leave the first two pages blank, because we're going to come back to that. Well, actually the first page, whatever, it's fine. I leave two you, but you can leave one, and then we're going to start this exercise on this page. Why don't I show you what we're going to do. 4. Experiment 1: Your Tools, Your Curiosity, an Abstract Drawing : For this first drawing, I'd like you to take the sketch book that you have, the different tools that you find, and I want us to experiment with all the different tools that you have at your disposal. Literally, I want you to explore what each tool has to offer. How is the texture of the pencil different from the texture of this pen, or different from the texture of that other pen that you have. What about these markers? How did the colors feel when I'm using those? How does it feel when I'm using colored pencils? There are probably some tools that you will find more fun to work with than others, that's interesting information. There's some tools that you won't like it all. Why is that? While you're exploring how these different tools react, how you react to the tools, I want us to create a drawing and it will be abstract which means that it doesn't have to look like anything. But I want you to use your curiosity and use

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